bananaphone: Mislim da je vise uznemirujuce to sto vidis ogoljene ljude, nego fizicki gole. Ogoljene su im duse i tela. A vise golotinje i perverzija mozes da vidis u serijalu Game of Thrones ili nasilja u western-ima koje je gledala citava generacija nasih oceva, nego u ovoj predstavi. Normalno estetika i poruka predstave je potopljena u kontraverzu, sto sa jedne strane stvara histeriju moralista, a sa druge strane pravi situaciju da drugi da bi dokazali svoju emancipovanost, hvale i dizu u nebesa ceo performans, a da nisu shvatili ni par osnovnih poruka grcke tragedije i ove predstave.

Mada moja zena kaze da nikad vise sirtaki (kao bukvalni prikaz muskog kurcenja) nece gledati istim ocima :D :D :D

The centrepiece of this year’s Belgrade international theatre festival was a 24-hour performance of Jan Fabre’s majestic, exhausting and exhilarating Mount Olympus: To Glorify the Cult of Tragedy. A hallucinatory vision of Homeric themes and characters, it presented a Dionysian orgy of madness, murder, incest, feminism, music (rave and arias) and extreme sports (skipping, dancing, fighting, loving). The show, which has had only a handful of performances in Europe since its premiere in 2015, started at 6pm on Saturday night and featured three 40-minute “dream times” during which the actors slept on stage. Durational theatre it’s called: the sort of event that tests your powers of endurance as well as the actors’. And it’s been going on a long time – the Greek festivals themselves were durational.

dusanboss: Meni je nekako uvek bedno i bezlično gledati pozorišnu prdstavu ili operu preko TV. :(