Mahavishnu Orchestra

www.youtube.com/watch?v=lesM2edtO0c

Dave Grusin & GRP All Star Big Band

www.youtube.com/watch?v=KE5FCAD72tY

vesticica011: 2CELLOS

Lična karta
Dušan - Duško Gojković je kompozitor i trubač rođen 1931. godine u Jajcu. Kao mladić svirao je u nekoliko džez i diksi bendova. Sa osamnaest godina pridružio se Big bendu Radio Beograda. Nakon pet godina napustio je bend, izrastavši u karakterističnog solistu i odličnog Big bend svirača. Gojković potom odlazi u Nemačku gde brzo postaje sastavni deo džez scene u usponu. Prvu ploču snimio je 1956. godine, kao član „All Stars benda“ iz Frankfurta. Nakon kratkog zadržavanja u Minhenskom Big bendu Maksa Gregera, Duško provodi četiri i po godine u vodećem evropskom džez orkestru Kurta Edelhagena. Kao solo trubač Big benda Duško je nastupao sa imenima poput Stana Getca i Četa Bejkera. Na „Berklee School of Music“ 1961. godine ponuđena mu je stipendija za studije komponovanja u Bostonu, kod Herba Pomeroja. Radujući se mogućnosti da piše vlastite aranžmane za svoju veliku ljubav - Big bend, Duško se temeljno koncentrisao na studije, odbijajući usput ponude Konta Bejsija, Stena Kentona i Bena Gudmana da se pridruži njihovim bendovima. Tokom svoje karijere Duško Gojković je nastupao sa velikanima kao što su Majls Davis, Dizi Gilesi, Geri Muligan, Soni Rolins, Djuk Džordan, Slajd Hempton. Objavio je preko 160 albuma.

Izvor: Duško Gojković: Očevu smrt nisam oprostio komunistima
(30. 10. 2011. Blic.rs)

In the Court of the Crimson King is the debut studio album by the British rock group King Crimson. The album reached number five on the British charts, and is certified gold in the United States, where it reached #28 on the Billboard 200.[1]

The album is generally viewed as one of the strongest of the progressive rock genre, where King Crimson largely stripped away the blues-based foundations of rock music and mixed together jazz and classical symphonic elements.

Izvor: Wikipedia

Vasastajić: E, sad, Vlado, zamisli Dankin baršunasti glas u pratnji ovih majstora "dimova"!

I WAS ONLY NINETEEN (A WALK IN THE LIGHT GREEN) -- John Schumann, Redgum (John Schumann, Hugh McDonald, Brian Czempinski, Trevor Lucas & Peter Coughlin), "Caught in the Act," Epic Records, 1983 (Originally written in the 1970's). NINETEEN became a national hit in Australia, especially among Veterans, almost immediately. The single reached #1 on the Australian charts for two weeks in 1983, and the album stayed in the top #40's for four months. Schumann wrote the song based on the experiences he heard from veterans, especially, Mick Soren and Frankie Hunt. It is still performed today whenever Vietnam Veterans get together for a concert. All royalties from sales are donated to the Vietnam Veterans Association of Australia. It is in the Australian Performing Right Association's Top 30 Australian Songs of All Times.

I WAS ONLY NINETEEN (A WALK IN THE LIGHT GREEN)
Written and Performed by John Schumann, Redgum

Mum and Dad and Denny saw the passing-out parade at Puckapunyal.
It was a long march from cadets.
The Sixth Battalion was the next to tour, and it was me who drew the card.
We did Canungra, Shoalwater before we left.

Townsville lined the footpaths as we marched down to the quay.
This clipping from the paper shows us young and strong and clean.
An' there's me in me slouch hat with me SLR and greens.
God help me, I was only nineteen.

From Vung Tau, riding Chinooks, to the dust at Nui Dat.
I'd been in and out of choppers now for months.
But we made our tents a home, VB and pinups on the lockers.
An' an Agent Orange sunset through the scrub.

An' can you tell me, doctor, why I still can't get to sleep?
An' night-time's just a jungle dark and a barking M16?
An' what's this rash that comes and goes -- can you tell me what it means?
God help me, I was only nineteen.

A four week operation when each step could mean your last one on two legs.
It was a war within yourself.
But you wouldn't let your mates down 'til they had you dusted off.
So, you closed your eyes and thought about something else.

An' then someone yelled out, "Contact!" and the bloke behind me swore.
We hooked in there for hours, then a Godalmighty roar.
Frankie kicked a mine the day that mankind kicked the moon,
God help me, he was going home in June.

An' I can still see Frankie, drinking tinnies in the Grand Hotel
On a thirty-six hour rec leave in Vung Tau
An' I can still hear Frankie, lying screaming in the jungle
'Til the morphine came and killed the bloody row.

An' the ANZAC legends didn't mention mud and blood and tears.
An' the stories that my father told me never seemed quite real.
I caught some pieces in my back that I didn't even feel.
God help me, I was only nineteen.

An' can you tell me, doctor, why I still can't get to sleep?
An' why the Channel Seven chopper chills me to my feet?
An' what's this rash that comes and goes -- can you tell me what it means?
God help me, I was only nineteen.

NOTE:

Puckapunyal: a recruit training center
Cunungra: a Jungle Warfare training center
Shoalwater: a place that the Army used for Military exercises
SLR: the personal weapon mostly used in Vietnam
Vung Tau & Nui Dat: Aussie bases in Vietnam
V B = Victorian Bitter: a very popular Aussie beer
ANZAC: the acronym for the Australian New Zealand Army Corps ("And the Band Played Waltzing Matilda - ANZAC Legend Begins")
Rec: Recreation leave

Slavenski's Sinfonia Orienta (1933-34) is a setting of ancient texts in their original language,
and it attempts to survey the history of Man's efforts to express religious belief through music.
The work has the subtitle "Symphonic Cantata in seven parts for soloists, chorus and orchestra",
and is dedicated "to the Missa Solemnis of Beethoven".

The first movement, Pagans, has the subtitle, Prehistoric music. "In the beginning", remarks
the composer, "there were only rhythm and cries". The movement consists solely of these two
elements.

The second movement, Musica coloristica, depicts the Hebrews, and opens with a lengthy
instrumental introduction, in which harp, flute and cor anglais imitate the effects of such
ancient instruments as the psalter, chalil, and shofar.

For his third movement, Musica architectonica, the composer turns to the Buddhists, evoking
their music in another lengthy orchestral introduction. The Chorus then takes up the traditional
Buddhist refrain, "Om Mani Padme Hum".

In the fourth movement, Musica melodica, Slavenski evokes the Christian world in a setting of
the Kyrie Eleison. The music consists of two successive canons in four parts, followed by a repeat
of the first canon. Slavenski does not forget that the Cantata is spiritually orientated towards
the East, and there are explicit references in this movement to the style of Byzantine chant.

The fifth movement, Musica articulatiae, is a tribute to the Moslems, the youngest of the
great religious groups. It is in three parts; the first, a tenor solo, is a muezzin's song;
the second, "music in a monastery", is purely instrumental; while the third is a fanatical chorus.

Chorus and soloists remain silent throughout the sixth movement, which is an extended piece
for full orchestra, intended to express the idea of Free Thought, and at the same time to act as
an acknowledgement of music's place as a "super-religion". A slight (and of course unintentional)
tribute to the internationalism of music is implied by the fact that this piece is quite
fortuitously reminiscent of parts of the first movement of Walton's Symphony (which, it will be
noted, dates from the same year as the Sinfonia Orienta).

The final movement, Musica harmoniae, is a Hymn of Toil, with text by the composer himself.
This is intended to represent the religion of our own time. Once again the composer turns towards
the East; it is no accident that the style of the music should be so close to that of the popular
choruses by Soviet composers such as Dzerzhinsky, Shaporin, and the Prokofiev of the opera
War and Peace.

So ends a work that so distinguished an authority as Professor Dent has described as
"most remarkable". Whether or not we agree with the contention advanced in an issue of the
periodical Der neue Rundfunk that Slavenski is "a really great musician with an individual style",
we cannot fail, after hearing the Sinfonia Orienta, to view in a new light the words of a Yugoslav
critic who referred to the composer as "a daring innovator, powerfully striving, without regard
for tradition, to create new values in our music by his enthusiasm for beauty and by his talent
and deep artistic conviction".

David Drew

kao odlično urađen posao muzičkih profesionalaca!

Lavlja_Jazbina:
Binary Mind..a ovo mislim da je skroz u tvom ritmu.;).

Cid Inc - Rediscovered

www.youtube.com/watch?v=WVjnOQgQoX0

Lavlja_Jazbina:
hmm.mozda i ovo...

Lavlja_Jazbina:
Bas udaras sitan vez u sitne sate.

Danas se navršava pet godina od smrti bivšeg menadžera kultne pank grupe „Seks pistols“; impresarija, biznismena, muzičara i producenta Malkolma Meklarena.

Meklaren je bio jedan od tvoraca i svojevrsni simbol pank pokreta sedamdesetih i osamdesetih godina XX veka u Britaniji.

Pod njegovim patronatom „Seks pistolsi“ su objavili antologijski singl „God Save The Queen“, koji je do prvog mesta britanske top liste došao za vreme kraljičinog „srebrnog jubileja“ 1977. godine, ali je i dugo bio zabranjen na Bi-Bi-Siju.

Meklaren je takođe bio i menadžer bendu „New York Dolls“, pre nego što je krenuo u operaciju „pank“ sa „Pistolsima“.

Prvi samostalni album Meklaren je objavio još 1983. godine, „Duck Rock“, a najveće hitove u karijeri imao je sa pesmama „Buffalo Gals“, „Double Dutch“ i „Madame Butterfly“. Albume je objavljivao i tokom ’80-ih i ’90-ih, a poslednji je bio „Shallow — Musical Paintings“ iz 2009. godine.

Malkolm Meklaren je umro od retkog oblika karcinoma i sahranjen je na groblju „Highgate“ u severnom Londonu.

ivaninapruga:
Meghan Trainor - All About That Bass

Lavlja_Jazbina:
Binary Mind..Kazi nesto od 1:30 bas ide u razradu.

Robert Rich - Folded Space
Steven Halpern - 3rd Chakra
Thom Brennan - Pondlife
Biosphere - The Things I Tell You
Emeralds - Lake Effect Snow
Bibio - It Was Willow (Edit)
Scott Wyker - Creamery Meadow
Hybernation - Haggerston Park
James Potter - Potter's Field (Part One)
Megazord - Computer, Download Me All The Adam Sandler Movies
Mother Mallard - Ceres Motion
Control Data Institute - '70s California TV Advert

Lavlja_Jazbina:
London Grammar - Hey Now (Official Video)

Miroslav Krstic - Kiss Me (Jelly For The Babies Remix)

Tu su, gitarama ili glasom, pioniri domaće rok muzike poput Josipa Bočeka i Vedrana Božića, pa Dado Topić, Vlatko Stefanovski, Džindžer Božinović i Bora Đorđević, potom „Partibrejkersi“ Zoran Kostić Cane i Nebojša Antonijević, Rambo Amadeus, Nenad Zlatanović („Texas Food“), sve do Nikole Vranjkovića, Olivera Nektarijevića (KKN) i Đorđa Miljenovića (Skaj Vikla)...

„Gitarologija“ ima dva dela: u prvom je 16 pesama koje svira „Point Blank“ i Crnčević ih peva (jednu čak i na srpskom), a drugi deo su te iste kompozicije na kojima deonice sviraju gostujući gitaristi, a svoje tekstove pevaju Topić, Cane, Bora Đorđević, Cukić...

http://www.blic.rs/kultura/ves...lica-bajagu-boru-corbu/vb4whv2

U slučaju dela Adell-e, žene prelepog lica (lični stav) svoj sud/utisak dalo je svetsko tržište i tu se nema puno ni dodati ni oduzeti.

zar ne mislis da bi jednom trebalo prekinuti zloupotrebljavanje foruma u svrhe propagiranja svojih favorita?

Dakle, sloboda da se objavljuje sve to u jednoj temi je super